Kissing by Dorianne Laux, 1952- present

                                                                                          

Kissing

They are kissing, on a park bench,
on the edge of an old bed, in a doorway
or on the floor of a church. Kissing
as the streets fill with balloons
or soldiers, locusts or confetti, water
or fire or dust. Kissing down through
the centuries under sun or stars, a dead tree,
an umbrella, amid derelicts. Kissing
as Christ carries his cross, as Gandhi
sings his speeches, as a bullet
careens through the air toward a child's
good heart. They are kissing,
long, deep, spacious kisses, exploring
the silence of the tongue, the mute
rungs of the upper palate, hungry
for the living flesh. They are still
kissing when the cars crash and the bombs
drop, when the babies are born crying
into the white air, when Mozart bends
to his bowl of soup and Stalin
bends to his garden. They are kissing
to begin the world again. Nothing
can stop them. They kiss until their lips
swell, their thick tongues quickening
to the budded touch, licking up
the sweet juices. I want to believe
they are kissing to save the world,
but they're not. All they know
is this press and need, these two-legged
beasts, their faces like roses crushed
together and opening, they are covering
their teeth, they are doing what they have to do
to survive the worst, they are sealing
the hard words in, they are dying
for our sins. In a broken world they are
practicing this simple and singular act
to perfection. They are holding
onto each other. They are kissing.

Poteen

by Michael Longley


Enough running water
To cool the copper worm,
The veins at the wrist,
Vitriol to scorch the throat -

And the brimming hogshead,
Reduced by one noggin-full
Sprinkled on the ground,
Becomes an affair of

Remembered souterrains,
Sunk workshops, out-backs,
The back of the mind -
The whole bog an outhouse

Where, alongside cudgels,
Guns, the informer's ear
We have buried it -
Blood money, treasure trove.

Waiting for the Barbarians, Constantine P. Cavafy, 1863-1933

Waiting for the Barbarians

What are we waiting for, assembled in the forum?             The barbarians are due here today. Why isn’t anything happening in the senate? Why do the senators sit there without legislating?             Because the barbarians are coming today.             What laws can the senators make now?             Once the barbarians are here, they’ll do the legislating. Why did our emperor get up so early, and why is he sitting at the city’s main gate on his throne, in state, wearing the crown?             Because the barbarians are coming today             and the emperor is waiting to receive their leader.             He has even prepared a scroll to give him,             replete with titles, with imposing names. Why have our two consuls and praetors come out today wearing their embroidered, their scarlet togas? Why have they put on bracelets with so many amethysts, and rings sparkling with magnificent emeralds? Why are they carrying elegant canes beautifully worked in silver and gold?             Because the barbarians are coming today             and things like that dazzle the barbarians. Why don’t our distinguished orators come forward as usual to make their speeches, say what they have to say?             Because the barbarians are coming today             and they’re bored by rhetoric and public speaking. Why this sudden restlessness, this confusion? (How serious people’s faces have become.) Why are the streets and squares emptying so rapidly, everyone going home so lost in thought?             Because night has fallen and the barbarians have not come.             And some who have just returned from the border say             there are no barbarians any longer. And now, what’s going to happen to us without barbarians? They were, those people, a kind of solution.

Translated by Edmund Keeley/Philip Sherrard

(C.P. Cavafy, Collected Poems. Translated by Edmund Keeley and Philip Sherrard. Edited by George Savidis. Revised Edition. Princeton University Press, 1992)

Carl Sagan
(1934-1996)




Pale Blue Dot

“Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.

Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.

The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.

It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.” 

Victor Hugo
(1802-1885)


 

Après la bataille

Mon père, ce héros au sourire si doux,
Suivi d’un seul housard qu’il aimait entre tous
Pour sa grande bravoure et pour sa haute taille,
Parcourait à cheval, le soir d’une bataille,
Le champ couvert de morts sur qui tombait la nuit.
Il lui sembla dans l’ombre entendre un faible bruit.
C’était un Espagnol de l’armée en déroute
Qui se traînait sanglant sur le bord de la route,
Râlant, brisé, livide, et mort plus qu’à moitié.
Et qui disait: ” A boire! à boire par pitié ! “
Mon père, ému, tendit à son housard fidèle
Une gourde de rhum qui pendait à sa selle,
Et dit: “Tiens, donne à boire à ce pauvre blessé. “
Tout à coup, au moment où le housard baissé
Se penchait vers lui, l’homme, une espèce de maure,
Saisit un pistolet qu’il étreignait encore,
Et vise au front mon père en criant: “Caramba! “
Le coup passa si près que le chapeau tomba
Et que le cheval fit un écart en arrière.
” Donne-lui tout de même à boire “, dit mon père.

----------------------------------------------------------------------------------------------------------------------------------

English Translation

 
After the battle

My father, a hero with such a sweet smile,
Followed by a single soldier whom he liked amongst all,
For his great bravery and his tall stature,
Was wandering on his horse, on the evening of a battle,
Across the field covered with bodies upon which night was falling.
He thought he heard a soft noise in the shadows.
It was a Spaniard from the routed army,
Who was crawling in his blood on the side of the road,
Groaning, broken, livid and more than half dead,
And who was saying: “Something to drink! Take pity, a drink!
My father, moved, gave to his faithful soldier
A flask of rum which hung from his saddle,
And said, “Take it and give a drink to the poor wounded man.”
All of a sudden, as the lowered soldier
Was bending towards him, the man, some kind of Moorish,
Steadies a pistol that he was still holding
And aims at my father’s forehead while shouting: “Caramba!”
The bullet went so close that the hat fell off
And the horse suddenly backed off.
“Give him a drink anyway” said my father.